We are grateful to the following organisations for their support:

Enterprise Music Scotland

Enterprise Music Scotland (EMS) is designated as a Regularly Funded Organisation (RFO) by Creative Scotland. EMS has a wide-ranging brief, a major part of which is to secure funds and opportunities for chamber music Promoters and Performers. 

Among other things, EMS uses its funding to help properly constituted organisations, such as Biggar Music, to promote chamber music in our local area. 

So, Biggar Music must make a case, year by year, to justify the funding which we receive from EMS (currently about 35% of our income). In order for EMS to be seen to be acting fairly, the application process requires a lot of detail, not only about forthcoming, planned events, but providing evidence such as number of members, attendance at concerts, fund-raising activity, etc. This is an important task which the Biggar Music Trustees undertake annually. It is essential that we get this right, in order to maintain a sound financial position which will enable us to arrange the concerts which you, our members and supporters, enjoy. More information here .


Biggar Music Club Trust


Coming Soon

NEW FOCUS OCTET Konrad Wiszniewski  saxophones  Euan Stevenson  piano   Andrew Robb  bass Alyn Cosker  drums The Glasgow String Quartet Nicola Wiszniewska

ANNA FEDOROVA  piano   PROGRAMME: BEETHOVEN  Piano Sonata in F minor, Op. 57 Appassionata SCRIABIN  Piano Sonata No. 2, in C sharp minor, Op.19 CHOPIN

Five top wind players

Latest Updates

Our next concert is part of the Biggar LIttle Festival.  Please join us for

New Focus Octet - Monday 23rd October 2017

Anna Fedorova, piano - Friday 17th November 2017

Arctic Winds - Friday 8th December 2017

Emily Norris and Friends - Sunday 4th February 2018 at 2.30pm

Meadows Orchestra - Sunday 25th February 2018

Schubert Ensemble - Thursday 8th March 2018.

Details of repertoire to follow.

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Subscription income from members is vital to the welfare of the Biggar Music Club, for without it, it would be difficult to make the necessary planning decisions and contract commitments for each season which usually have to be made a whole year in advance.

At present, the membership fee of £60 provides free entry to all the concerts for the whole season, a cost of £8.50 per concert. This is amazingly good value when compared to what you would have to pay to enjoy live performances by the same artists or ensembles in Edinburgh or Glasgow (or even London's Wigmore Hall) and without the cost and inconvenience of having to get there...

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